Here are a couple of little colour studies I’ve made as part of my research kick off for my next project with The Drawn Chorus. Super excited to be collaborating with them again! I call these colour studies…though I’m not sure if that is the technical term for them. The idea was to quickly and freely get down a range of colours and compositions to help me loosen up and get inspired around their exhibition theme. The first is a still from a Tomb Raider game, the second a campfire on a snowy mountain. More on that in the coming months!
A quick Stegosaurus sketch made at the Natural History Museum. I wanted to be a Palaeontologist when I was a little girl. I’m still a big fan of fossil hunting and I think Jurassic Park 1 is definitely in my top 5 films ever!
I recently had the pleasure of illustrating a poem called ‘Rocket’. Written by Joseph J Clark, it is one of 14 poems about drinking that together form his small batch poetry book ‘Drunk With A Pen’. Each poem, illustrated by a different local artist, is a story and explores the complex relationship with alcohol and drinking that many of us have. (The cover illustration shown below is by the talented Rosa Carbó-Mascarell)
An entertaining and thought provoking companion to any tipple, look out for your copy in various pubs dotted around the city. All proceeds from the book are donated to local charities including The Clock Tower Sanctuary which supports young, homeless people in Brighton and Hove. Cheers!
Happy New Year! I’ve just been for my first outdoor sketch trip of 2017 to Birling Gap. A beautiful sunny day, though super chilly. So nice to get outdoors and tramp around for a bit. We stopped high up on a bench to draw a view of the cliffs and stripy red lighthouse, then headed back down to the beach to watch the sunset over the sea with our cheese and pickle sandwiches. I managed to drop my entire chalk pastel collection, twice need to get a tin for them I think!
There’s been a super lovely crop of illustrated festival posters this Summer. Featuring bright colours, strange little characters and odd machines. They seem to have a bit of a ‘Where’s Wally?’ vibe to them, which does makes sense as it can often feel that way trying to find your friends at a festival! This type of illustration seems to be particularly popular for music and gig art at the moment and it’s really nice to see more of it about! Bestival, Wildlife and Music Wins festival posters shown above.
I took part in this year’s Secret 7. A nice, inspiring project which invites creatives from all over the world to interpret designs for 7” record sleeves based on one of 7 songs chosen each year. The designs are not allowed to feature the artist name or track title (hence the secret bit!). Whilst my entry wasn’t selected for the charity exhibition I was really glad I took part. I chose to create a piece for the Tame Impala track ‘The Less I know The Better’ a melancholy song with hints of unrequited love, lust and longing.
I wanted to push my conceptual thinking but found it tricky to choose an idea. Finding a way to reflect the themes of the song without feeling too obvious or being influenced by existing media attached to it. Eventually it was the electronic sounds that inspired me the most. I felt they had an underwater-like quality to them conjuring imagery of ripples and watery light. I also enjoyed the lyric ‘Wait ten years we’ll be together’.
I imagined that the lover in the song was banished to an isolated underwater lair and forced to wait, striking off each year on a seaweed covered rock until they could return to their love. Something like that. I’m pretty pleased how the final piece turned out. It uses a mixture of watercolour, oil pastel and pencil. It helped me to explore use of composition and layers texture.
I’ve played some really great games on my phone recently. I haven’t had a Playstation of my own for some years but I’m finding that puzzle and adventure apps are just right for enjoying on a smaller device. In the same way that you can’t put a good book down, I find myself sneaking in a breakfast gaming session, tapping away on the tube and trying (and failing) not to play in bed.
A recent stand out for me is Simogo’s Year Walk ; an atmospheric game set in the snowy Swedish woods. In times of old, man would walk deep into the woods in the hope of catching a glimpse of his future. It was a perilous activity and many who ventured never returned. As the story unravels, you encounter strange, dark beasts of the forest taken straight from Swedish folklore. You must solve the puzzles they set out for you, searching for clues and performing clever interactions to impress them.
The art style is beautiful. It somehow manages to be both cute and creepy at the same time. It is Illustratively rich, the textures adding just the right amount of detail. The gentle shift of focus and blurring/sharpening of foreground and background objects seem to add to the feeling of unease.
The interface is super minimal, which seems to me to be a mark of a well designed experience. I would rather focus on story and game art than an ugly button or unnecessary menus. If you do download it, be sure to grab the companion app which has a few secrets of its own!