Tove Jansson & the Creative Process

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As a long time fan of Tove Jansson’s illustrations, seeing the exhibition at Dulwich Picture Gallery before it closed was a big treat. Though the Moomins took centre stage, there was an excellent variety of her work on display.

Watercolours and drawings from Tove’s illustrated versions of Alice in Wonderland and The Hobbit. Large oil-painted self portraits and abstracts. Also a selection of her political cartoons and magazine covers, some of which were created during the Second World War. There was even a series of models, like this one of Snufkin (below) that I took the opportunity to sketch!

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However, what I enjoyed most about this exhibition was the touch of insight it gave me into Tove’s creative process. Evidence of pencil lines not quite rubbed out underneath delicate ink work. Some barely perceptible tippex-like corrections on typography. Roughs and layout sketches shown next to final versions. I noticed that a few of the watercolours had sections which appear to have been carefully cut out, perhaps by scalpel, and removed or replaced with a new layer of card fixed precisely in place over the top.

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It was very heartening to see these little human touches and imagine that even my illustration heroes made/make changes and tweaks to improve their work. That things don’t always come out perfectly first time and that there are many different ways to create. It’s all part of the process and one that we don’t always get to see – especially in today’s slick, Photoshop world.

I love it when illustrators share what goes on behind the scenes and how they make their work. I’ll be sure to share more of my creative process this year too!

The above Tove Jansson Illustration from Alice In Wonderland is used here without permission via Pinterest. 

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Stylish Beings #2

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I’m continuing my exercise of drawing every pin on my Pinterest board ‘Stylish Beings’. This is a place where I collect images of icons, celebrities and well dressed folk that I think are especially cool! I did lose momentum recently as life got a little busy, but i’m getting back into the flow of it now.

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I’m enjoying working my way through the board, remembering the people and outfits that I had pinned and getting excited about how I could draw them. It’s pleasing when I discover that a particular medium fits a celebrity well. For example scratchy, black ink is perfect for rendering Alison Mosshart’s mussy bed hair!

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Each pin provides its own little challenge, with some that I expected to be easy turning out to be very complicated and vice versa. *Spoilers* upcoming pins on my radar include rocker Brody Dalle, actress Winona Rider and the iconic Elizabeth Taylor.

Stylish Beings

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I set myself an exercise to draw every pin on my Pinterest board ‘Stylish Beings’. This is a board where I’ve been pinning people I think are particularly cool, glam or fascinating. So far it has about 200 pins and I thought it would be good drawing practice to have a crack at sketching each and every one.

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I’m forcing myself not to get too precious about it…so far I’ve drawn 39 and it’s safe to say that a good number of those will never see the light of day, but the more I draw the more i’m creating drawings that i’m really happy with and enjoying playing about with media and style. If I do a bad one, I drop it and move on to the next.

Capturing the likenesses is something I want to work on too, but hopefully by the time I get to pin #200 that will start to improve! Here’s a little selection of some of my faves so far: